Sandhill, statue of James II

Sandhill, statue of James II

HER Number
7888
District
Newcastle
Site Name
Sandhill, statue of James II
Place
Newcastle
Map Sheet
NZ26NW
Class
Gardens Parks and Urban Spaces
Site Type: Broad
Sculpture
Site Type: Specific
Statue
General Period
POST MEDIEVAL
Specific Period
Stuart 1603 to 1714
Form of Evidence
Documentary Evidence
Description
The was a "most beautiful equestrian statue" of James II erected in front of the exchange (Guildhall) in Sandhill. It was cast in copper and was the same size as the famous equestrian statue of Charles I at Charing Cross, London. The horse stood raised upon its hind feet. The king was cloathed in a coat of mail, booted and gauntleted. By his side hung a sword. In his right hand he held the truncheon, in his left the bridle. He wore a wig and a laurel wreath. The pedestal of the statue was white Italian marble, 14ft high, stood on a black polished marble base. On one side of the pedestal was a brass relief of the king's successes in battle, on the other the town's arms, the names of the mayor, recorder and sheriff. Surrounding the statue were iron palisades. The statue was the work of Mr. William Larson, approved by Sir Christopher Wren. It cost the town £800. In November 1688 the statue was demolished "by the mob" and the ststue and horse turned into the river. Later it was cast into a set of bells (common-counicl books of 1695 record requests from All Saints parish and St. Andrew's parish). This information is from Bourne and Brand, but according to the Local Historians' Table Book of 1841, there are strong grounds however to suggest that the statue was never put up as no payment occurs in the books of the corporation of Newcastle for the marble pedestal or the iron palisades. Rather the mob may have turned it into the river shortly after the statue was delivered to the quayside ready for erection.
Easting
425200
Northing
563800
Grid Reference
NZ425200563800
Sources
Bourne and Brand, Local Historian's Table Book 1841, Vol 1, pp 320-322; Paul Usherwood, Jeremy Beach and Catherine Morris, 2000, Public Sculpture of North-East England, p 219